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(2000) The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer.
An unfolding of theory and practice
From Ingarden to a phenomenological aesthetic for opera
Ellen Burns
pp. 401-416
Publication details
Full citation:
Burns, E. (2000)., An unfolding of theory and practice: From Ingarden to a phenomenological aesthetic for opera, in M. Kronegger (ed.), The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer, pp. 401-416.
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