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(2012) Phenomenology and the future of film, Dordrecht, Springer.
In my Introduction to this volume, I emphasised the coextensive, but often unqualified, relationship between cinema and subjectivity, a relationship which has been a focus of so much attention in film theory, film philosophy and film history, without explicitly being framed in such terms. Evidently, the scope and span for a project about cinematic subjectivity has the potential to become unfeasibly large, but in this project, thinking cinematic subjectivity has been brought together with a range of phenomenological frameworks surrounding issues of temporality and embodiment affect and agency, and the material conditions of cinematic technologies and our cinematic worlds.
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Full citation:
Chamarette, J. (2012). Conclusion: rethinking cinematic subjectivity and beyond, in Phenomenology and the future of film, Dordrecht, Springer, pp. 231-244.
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