Newsletter of Phenomenology

Keeping phenomenologists informed since May 2002

226932

Springer, Dordrecht

2015

392 Pages

ISBN 978-3-319-20602-8

Lecture Notes in Computer Science
vol. 9110

Mathematics and computation in music

5th international conference, MCM 2015, London, UK, June 22-25, 2015

Edited by

Tom Collins, David Meredith, Anja Volk

This book constitutes the thoroughly refereed proceedings of the 5th International Conference on Mathematics and Computation in Music, MCM 2015, held in London, UK, in June 2015. The 24 full papers and 14 short papers presented were carefully reviewed and selected from 64 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on notation and representation, music generation, patterns, performance, similarity and contrast, post-tonal musicanalysis, geometric approaches, deep learning, and scales.

Publication details

DOI: 10.1007/978-3-319-20603-5

Full citation:

Collins, T. , Meredith, D. , Volk, A. (eds) (2015). Mathematics and computation in music: 5th international conference, MCM 2015, London, UK, June 22-25, 2015, Springer, Dordrecht.

Table of Contents

A structural theory of rhythm notation based on tree representations and term rewriting

Jacquemard Florent; Donat-Bouillud Pierre; Bresson Jean

3-15

Open Access Link
Renotation from optical music recognition

Chen Liang; Jin Rong; Raphael Christopher

16-26

Open Access Link
Foundations for reliable and flexible interactive multimedia scores

Arias Jaime; Desainte-Catherine Myriam

29-41

Open Access Link
Improved iterative random walk for four-part harmonization

Whorley Raymond; Conklin Darrell

64-70

Open Access Link
Location constraints for repetition-based segmentation of melodies

Rodríguez-López Marcelo; Volk Anja

73-84

Open Access Link
Modeling musical structure with parametric grammars

Giraud Mathieu; Staworko Sławek

85-96

Open Access Link
Perfect balance

Milne Andrew J.; Bulger David; Herff Steffen A.; Sethares William A.

97-108

Open Access Link
A probabilistic approach to determining bass voice leading in melodic harmonisation

Makris Dimos; Kaliakatsos-Papakostas Maximos; Cambouropoulos Emilios

128-134

Open Access Link
Hypergestures in complex time

Mannone Maria; Mazzola Guerino

137-148

Open Access Link
Generating fingerings for polyphonic piano music with a tabu search algorithm

Balliauw Matteo; Herremans Dorien; Palhazi Cuervo Daniel; Sörensen Kenneth

149-160

Open Access Link
Logistic modeling of note transitions

Yang Luwei; Chew Elaine; Rajab Khalid Z

161-172

Open Access Link
A change-point approach towards representing musical dynamics

Kosta Katerina; Bandtlow Oscar F.; Chew Elaine

179-184

Open Access Link
Structural similarity based on time-span sub-trees

Hamanaka Masatoshi; Hirata Keiji; Tojo Satoshi

187-192

Open Access Link
Cross entropy as a measure of musical contrast

Laney Robin; Samuels Robert; Capulet Emilie

193-198

Open Access Link
All-interval structures

Peck Robert W.

279-290

Open Access Link
Unifying tone system definitions

Schlemmer Tobias

291-302

Open Access Link
A categorical generalization of Klumpenhouwer networks

Popoff Alexandre; Ehresmann Andrée C.; Andreatta Moreno

303-314

Open Access Link
The Spinnen-Tonnetz

Baroin Gilles; Seress Hugues

315-320

Open Access Link
Probabilistic segmentation of musical sequences using restricted Boltzmann machines

Lattner Stefan; Grachten Maarten; Agres Kat; Cancino Chacón Carlos Eduardo

323-334

Open Access Link
¿el caballo viejo?

Sturm Bob L.

335-346

Open Access Link
On the step-patterns of generated Scales that are not well-formed

Castrillón López Marco; Domínguez Romero Manuel

361-372

Open Access Link
Greek ethnic modal names vs. alia musica's nomenclature

Clampitt David; Shafer Jennifer

385-390

Open Access Link

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