Newsletter of Phenomenology

Keeping phenomenologists informed since May 2002

232171

Palgrave Macmillan, Basingstoke

1994

228 Pages

ISBN 978-0-333-53285-0

Insights

Twentieth-century European drama

Edited by

Brian Docherty

This volume offers critical and theoretical perspectives on some of the major figures in European drama in the twentieth century. There are thirteen essays covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, comtemporary German theatre, and Dario Fo and Franca Rame. These specially commissioned essays combine contemporary theory with a discussion of the dramatic work of the playwrights who created modern drama in Europe.

Publication details

DOI: 10.1007/978-1-349-23073-0

Full citation:

Docherty, B. (ed) (1994). Twentieth-century European drama, Palgrave Macmillan, Basingstoke.

Table of Contents

Introduction

Docherty Brian

1-12

Open Access Link
Female masks

Bassnett Susan

13-25

Open Access Link
The theatre of Bertolt Brecht

Speirs Ronald

26-41

Open Access Link
Beckett's stage of deconstruction

Butler Lance St John

63-77

Open Access Link
Ionesco's plays

Hayes Michael J.

92-108

Open Access Link
Arrabal's theatre of liberation

Schumacher Claude

124-145

Open Access Link
Artaud and Genet's the maids

Day Gary

146-161

Open Access Link
Weiss/brook

Holderness Graham

162-171

Open Access Link
Time, identity and being

Majer Peter

172-182

Open Access Link
The Germans in Britain

Taylor Anna-Marie

183-202

Open Access Link
The theatre of Dario Fo and Franca Rame

Montgomery Angela

203-220

Open Access Link

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