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(2015) Rivista di estetica 58 (supplemento).
Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach toward reality. Through his objects and materials he offers to the viewer a possible ideal reconstruction of his combined elements and object-machines. Through these ones he creates a sort of mental laboratory that suggests to the viewer the possibility to be transported by the shapes of his artworks and to participate to his logical, but also ludic and ironic, artistic proposal.
Publication details
Full citation:
Restany, P. (2015). Ugo Nespolo e la Critica della Ragion Pratica. Rivista di estetica 58 (supplemento), pp. 11-13.
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