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(2014) And yet it is heard, Dordrecht, Springer.
The rules for music presented by Maurolico were predominant in texts written during the second half of the sixteenth century, and we have to consider them to represent orthodoxy in that period. Now the discussion about the division of the tone assumed the characteristics of controversies between continuous or discrete conceptions of the world, becoming its musical representation. We have followed these in their manifold variations, found in the cultures that were discussed in Part I.
Publication details
DOI: 10.1007/978-3-0348-0675-6_2
Full citation:
Tonietti, T. (2014). Not only in Latin, but also in Dutch, Chinese, Italian and German, in And yet it is heard, Dordrecht, Springer, pp. 5-106.
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