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At the end of this study of the event of style in literature, it may be worth returning to and remaining a little more persistently with the question of the applicability of the arguments and analyses proposed. In other words, what now? What should one make of the temporality or the historical circumstances of the "event" of style that I have argued is central to the work of Heidegger, Gadamer, Blanchot, Derrida, Celan and others? The following discussion will have to be brief, and it works more as an initial exploration of the implications of this study for further thinking about style than a definitive last word about the issue.

DOI: 10.1057/9781137426925_7

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