Alberto Carrillo Canán
(2020). The "electric age": moral and political form. Glimpse, 21, 37-50. https://doi.org/10.5840/glimpse2020214.
(2019). We are our mobile screen … "we wear all mankind as our skin": the mobile phone and the structure of experience. Glimpse, 20, 71-78. https://doi.org/10.5840/glimpse2019203.
with Vera Luis R., Kritz Matias (2015). Movement and pictorial space: the video "beauty". Glimpse, 16, 15-26. https://doi.org/10.5840/glimpse2015162.
with Zindel May, Rivas López Victor Gerald, Elizalde Valdes Lydia (2012). Is there metonymy in film?: Metz and the rhetorical figures in cinema. Glimpse, 14, 31-42. https://doi.org/10.5840/glimpse2012146.
with Thompson Reynaldo, Zindel May (2012). Media, illusion and virtual reality. Glimpse, 14, 131-139. https://doi.org/10.5840/glimpse20121419.
with Calderon Zacaula Marco (2009). Bazin, Flusser, and the aesthetic of photography. Glimpse, 11-12, 19-26. https://doi.org/10.5840/glimpse2009-1011-126.
with Rivas López Victor Gerald, García González Miguel (2009). The mediasphere and the metaphysical link of the political and the cultural meaning of nation. Glimpse, 11-12, 27-32. https://doi.org/10.5840/glimpse2009-1011-127.
with Zindel May (2007). The poetics of digital cinema. Glimpse, 9-10, 29-33. https://doi.org/10.5840/glimpse2007-89-106.
(2006). The mediatic-history of mind: comparing McLuhan and Flusser. Glimpse, 8, 53-60. https://doi.org/10.5840/glimpse2006810.
(2004). Mobile communication and culture. Glimpse, 5, 45-53. https://doi.org/10.5840/glimpse2004523.
(2003). Globalizacióa cultura y comunidad. Glimpse, 4, 45-48. https://doi.org/10.5840/glimpse200349.
(2003). The gardens of Versailles and the sublime. In A. Tymieniecka (ed.) Gardens and the passion for the infinite (pp. 47-58). Dordrecht: Springer.
(2002). Gadamer's leveling of the visual and the verbal, and the "experience of art". In A. Tymieniecka (ed.) The visible and the invisible in the interplay between philosophy, literature and reality (pp. 199-209). Dordrecht: Kluwer.
(2002). José Gaos. In A. Tymieniecka (ed.) Phenomenology world-wide (pp. 474-477). Dordrecht-Boston-London: Kluwer.
(2002). Kierkegaard's amphibolous conjunction of joy and sorrow and his literary theory. In A. Tymieniecka (ed.) The creative matrix of the origins (pp. 129-137). Dordrecht: Kluwer.
(2002). On the phenomenological nature of the TV image. Glimpse, 3 (2), 13-17. https://doi.org/10.5840/glimpse2002324.
(2000). Community and media: a weakness in phenomenology? Glimpse, 2 (1), 77-81. https://doi.org/10.5840/glimpse20002112.
(2000). Concerned with oneself and God alone: On Kierkegaard's concept of remorse as the basis for his literary theory. In A. Tymieniecka (ed.) Life creative mimesis of emotion (pp. 95-115). Dordrecht: Kluwer.
(2000). The paradoxical transformation of existence. In A. Tymieniecka (ed.) The origins of life II (pp. 153-165). Dordrecht: Kluwer.
(2000). Transcendentalism and poetry in Heidegger. In A. Tymieniecka (ed.) The poetry of life in literature (pp. 75-106). Dordrecht: Kluwer.
(1998). Considering die and death. In A. Tymieniecka (ed.) The reincarnating mind, or the ontopoietic outburst in creative virtualities (pp. 155-180). Dordrecht: Kluwer.